| The Martians
are on the roll, and they're
taking 3D photographs. No doubt you've see the Pancam stereo images
from the cameras atop the pointable mast. Left and right images are displayed
as red-blue anaglyphs,
which can have a dizzying, cross-eyed look to them. Put on the red-blue
glasses, and you're launched to Mars in 3D. But it's not just about virtual
Martian reality. The paired stereo images are used to gauge distance, and
they are critical to guiding the rovers across the surface. In fact, the
navigation and hazard cameras are stereo too. Their images are even more
crucial to safely traversing the uneven, rock-strewn surface.
Red-blue anaglyph 3D images
are not difficult to make as it turns out. JPL posts the raw
rover images at their web site so you
too can play rocket scientist and create a view of Mars that's yours
alone. Instructions for Photoshop are available
on the web, although it does take some trial and error as I found out.
Here’s what I came up with for PhotoImpact
XL. Load both left and right images; it helps to denote this in the
filename since it can be hard to figure this out by just looking at them.
Make the right red with the "color adjust" function (increase red to the
maximum), and left all blue and green, that is cyan. Dark areas should
be strongly colored, either red or cyan. Paste each image to a new (blank)
image of the same size, one with separate, moveble layers. Increase the
transparency on the front layer so that both images can be seen, and don
the colored glasses. Select one layer and shift it until depth and distance
appears on the screen. Take your time, some pairs work, and some don't,
and contrast and brightness levels may need adjustment to heighten the
depth effect. Make minor tweaks, save the best image with the layers "flattened"
in a popular image format such as JPEG.
On your home planet (bottom,
right), you can DIY in 3D with just
a single camera. Ordinary prints will work if scanned, but a digital
camera saves that step. I've leared that the images should be shifted from
left to right by a relatively modest amount, several inches or less. Any
rotation or "roll" should be avoided, so use a tripod. To maintain orientation
and control shift, I slide the camera laterally on a slotted bar bolted
on the tripod head. Set side by side, the apparent differences between
the images should be slight. Obvious differences, catchlights or striking
dark features confuse the brain and make it difficult to see depth. It
also helps if the scene is flat (i.e., low contrast) and nearly monochromatic
(or of a single color hue). Anaglyphs use color to transmit distance information
to the brain, and real-world colors confuse things. In fact, the first
step in processing color pictures is often to convert them to grayscale.
One more thing: shoot at high resolution since they seem to turn out better.
Perhaps the fine detail is crucial to the illusion of spatial depth.
From these first attempts,
I’m even more impressed with the capabilities of JPL. I’m half expecting
the next set of
Martian postcards to say: “Wish you were here!” While scientists
have described the landscape as “bizarre and alien,” I still think it's
more like Earth than not. Besides, Opportunity's crater contain one geological
feature that is very Earth-like: layered rock in the place it formed.
It might be volcanic and windblown, it might be evidence of water, it might
be something entirely different. Opportunity plans to roll over and see
which it is. Let the snapshots roll in.
Those funny
glasses are needed to see depth in the images at right. Moondark is
written by Doug Miller, published
at the Moondark
web site, and printed in the Delmarva
Star Gazers' Star
Gazer News. This document was last revised on 13 February 2004. Text
and images copyright © 2004 by Douglas C. Miller, All Rights Reserved.
This material may not be reproduced in any form without prior permission. |
 |
Microscopic Martian
blueberries:
Evidence for ancient water?
|
 |
|
Adirondack, framed by
Spirit's front wheels as seen by the hazcam. JPL corrected for the
curved horizon in their image.
|
 |
|
Opportunity bounce marks
in the background. The image shift needed to produce 3D is visible in the
cyan "border" at left--this should be cropped out.
|
 |
|
Meteor Crater, Arizona,
where the jet's flightpath provided the left to right shift.
|
|